Keep in mind that the image above is from the DJI GO 4 app using the Phantom 4 Pro menus may look slightly different on different models, but it should be the same basic procedure. Your drone should now be set up and ready to record footage in the D-Log profile. This can give you a bit more flexibility in post-processing since you're not baking things such as the default sharpness level into the file. I also recommend going to the 'Style' settings and creating a custom style with contrast, sharpness, and saturation all dialed back to -3. I also recommend going to the Style settings and creating a custom style with sharpness, contrast, and saturation set to -3 to give yourself more flexibility in editing. To set up D-Log using the DJI GO app, simply navigate to the Color settings in video mode and select the D-Log profile. Once selected, you're ready to shoot in D-Log. You'll find D-Log under the 'Color' settings, along with all the other color profiles. To set your Mavic Pro, Phantom, or Inspire to shoot in D-Log, make sure you're in video mode and navigate to your camera settings. In this article, I'll show you how to set up the D-Log profile, how to expose for it, and provide some examples of what you can achieve by shooting in D-Log and using color lookup tables, or LUTS, to color grade the final footage. But if you don't need to shoot Log to capture the dynamic range of a scene, it may not be the best choice. If you're shooting a high dynamic range scene that tradeoff may result in a net benefit. However, there's no such thing as a free lunch shooting in Log can reduce image quality by trying to compress too much tonal information into a limited number of bits in the file. Using D-Log can give you more flexibility in your post-production by retaining a wider tonal range, allowing you more latitude to apply your color and style choices during editing. If you don't need to shoot Log to capture the dynamic range of a scene, it may not be It's DJI's implementation of a Log gamma curve, designed to capture as much tonal information as possible.ĭJI's standard picture profiles can be vivid and punchy, but similar to shooting JPEG format on a stills camera, using them can make it impossible to recover highlights or shadows if clipping occurs in high contrast scenes. Fortunately, many of DJI's drones offer a useful picture profile called D-Log. Unauthorised distribution of Drone Supremacy's Presets or LUTs is prohibited and will be met with legal action.One of the challenges of shooting video with a drone is dealing with high dynamic range lighting situations. Since the LUT cannot be returned, unfortunately there are NO refunds, NO exceptions. This LUT is designed for Final Cut Pro X, but it's also compatible with any software that supports LUTs (such as Adobe Premiere Pro, DaVinci Resolve etc.) Keep in mind the LUT is not a 100% 1-step solution for all of your shots, the best practice is to adjust your shots individually and add/take away some saturation, contrast and other settings to properly maintain the same look in all of your footage. It delivers a well-balanced cinematic teal & orange look to any footage which was properly exposed and shot in D-CineLike colour profile.įor best results ALWAYS use ND filters to properly expose your shots and achieve a natural motion blur when you film with your drone.Īfter you apply the LUT to your footage you'll notice that it saturates your footage nicely and it gives it contrast, sharpness and overall much better look while still maintaining all of the detail in the highlights, midtones and shadows. The Drone Supremacy DJI FPV Drone LUT is designed to be used for the D-CineLike colour profile on the new DJI FPV Drone.
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