![]() ![]() Costume design is characters and costumes, so nothing to do with whether you’re fashionable or not, or understanding fashion.īTL: A lot of the people you dress for your movies do look quite fashionable, though. Sandy Powell image via IMDbīelow the Line: I know you’ve spoken quite a bit to Below the Line over the years, and I feel kind of pretentious whenever I speak with costume designers because I’m not even remotely fashionable. Though Below the Line has spoken to Powell a number of times over the years, this was a particularly special conversation in which we not only talked about her work in Living but also about an amazing bit of philanthropy she organized two years ago for a very good cause. ![]() Powell has worked quite regularly with filmmakers such as Martin Scorsese and Todd Haynes, and she has won a trio of Oscars for her work on Shakespeare in Love, The Aviator, and The Young Victoria, in addition to receiving 12 other Oscar nominations, including dual nominations in both 2016 ( Carol and Cinderella) and 2019 ( The Favourite and Mary Poppins Returns). While Kurosawa’s film was contemporary at the time of its release, Living is a period piece, and Hermanus wisely called upon one of Hollywood’s top Costume Designers, three-time Oscar winner Sandy Powell, to design the costumes. Williams, a lifelong public servant diagnosed with terminal cancer who tries to make the most of his last few months. “And he got behind me and screamed in my ear, ‘Move! Move faster! Move it!’ And we’re getting to this intersection where there’s hundreds of people watching this, and he keeps it up and keeps it up until he says, ‘Stand there’ and points to a mark on the pavement and starts shooting.The idea of remaking a classic like Akira Kurosawa ’s 1952 drama Ikiru might not seem like a particularly prudent decision, but that’s exactly what Director Oliver Hermanus has done with Living, transporting the story to ’50s London with Bill Nighy playing Mr. “Seconds later, Bill Murray - in a full clown costume, by the way - slams into the trailer with rage coming out of his eyeballs and starts screaming at me and swearing at me, ‘Get the fuck out there! What the fuck are you doing? Move! Move!'” Davis continued. Can I do that, or should I come with you?'”ĭavis said she was given permission by the assistant director to stay and wait for costumes. “And they said, ‘We’re ready for you to come to set.’ And I said, ‘Well, costumes asked me to wait here one second. “We were shooting a huge scene out on an intersection in Manhattan with hundreds of extras and giant crew and all that stuff,” Davis recalled. “And I looked to them hoping they would say, ‘Come on, Bill, give it up’ or something,” she added.Ī second incident allegedly occurred during the first day of shooting. So I realized it was just to see if he could force me to do something inappropriate.”ĭavis said the co-director and the producer who were in the hotel suite did nothing to stop Murray. So I perched on the corner of the bed and let him do it, and he did it for like one second, and then didn’t ask how I liked it or anything. ![]() Do you understand?’ Which I was far too timid to do. “And I keep saying ‘No’ to the point where I would’ve had to scream at him, ‘Stop fucking asking me! I am not doing it. “I’m like, ‘No, no, no thank you.’ And he keeps at it,” Davis said. Davis said Murray pointed to the bed where there was “a giant massage device with big handles on it.” Murray allegedly told her, “Lay down here. ![]()
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